He quoted Evans, who said, Im hoping the trio will grow in the direction of simultaneous improvisationIf the bass player, for example, hears an idea that he wants to answer, why should he just keep playing a background?, Scotty, of course, heard and answered plenty of ideas. Brockton-born alto player and clarinetist Dick Johnson was also on the band. Composer: Hammerstein II / Kern In Jade Visionshe says, Scott wasnt what one would consider a big band bass player. My mom was still pregnant with my last sister. I remember one time Scotty came home with an LP under his arm. Scott was already playing like that with Bill., Recorded on November 29, 1960, the four-song session wasnt officially released until 2005. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. 2023 Viacom International Inc. All Rights Reserved. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. The Getz Quartet, with either Henry Grimes or Jimmy Garrison spelling LaFaro (Kuhn cant recall for certain), was playing that week at Saranac Lake in the Adirondacks. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. He took up bass because he was required to play a stringed instrument at Ithaca College. Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. Labels. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. Genre. ", In 1966, Evans spoke with George Clabinabout what he called his "complexand quick relationship" with Scotty, and said his technique was "built throughintuitive insightand fire, as some kind of a spark in him which took over and he would just grab the bass and he would work and work and work and work and he would just lay it down. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. Bassist Dave Green joins Alyn Shipton to pick the highlights of these, and to trace the other significant records in LaFaro's brief but brilliant career. Ted Gioia, in his 1997 survey,The History of Jazz, said, "LaFarotook far greater chances, departing markedly from the traditional walking line, instead offering countermelodies and guitar-like phrases. He's seen here playing "Cherry" and "Chart of My Heart" with saxophonist Richie Kamuca's Quintet on a Stars of Jazz television broadcast on April 7, 1958. Scott LaFaro. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. Colin Fleming writes fiction and nonfiction on myriad topicsart, film, music, sports, literature, current eventsfor a wide range of publications, and talks regularly on radio and podcasts. His records with Bill Evans are among the finest jazz trio discs ever made. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. comments . We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. Click to reveal LaFaro's freewheeling, harmonically advanced bass style with the Bill Evans Trio (1959-1961) opened a door to a wholly new approach to the instrument that influenced a generation of players who followed in his wakeEddie Gomez, Dave Holland, and Marc Johnson, to name just a few. Once he got the gig, his college days were over. He died near Geneva in an auto accident in 1961. LaFaro-Fernandez: After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. Those years of self-discovery can be challenging at times and those moments found their perfect expression in the Village Vanguard SessionsI listened to that music for so many hours that it became my constant silent companion and a beacon of hope.. [9], Writing for AllMusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. Following the Vanguard engagement, LaFaro played with Getz, Steve Kuhn, and Roy Haynes at Newport on July 2. We think of LaFaro as a jazz bassist with leanings toward classical music; its the lan, I think. Composer: Porter: I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and Paul would come over to the Five Spot, too. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. All is possible, and then all is no more. The portion of Linden Street that runs from Seneca Street to South Exchange. May 23, 2021. Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. Press J to jump to the feed. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. Performance & security by Cloudflare. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. This website is using a security service to protect itself from online attacks. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. Evans and Dolphy dont feature on a couple tunes, while LaFaro is the constant. [1] For a time, Haden and LaFaro shared an apartment. Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. While his music education began in grade school with piano and then clarinet and tenor saxophone in junior high and high school, he didnt start playing bass until his senior year, and only because a string instrument was required for his enrollment at Ithaca College, where his intent was to major in clarinet and tenor saxophone. Youre freeboomto lock in on LaFaro, and I do that quite a bit. As such, the album is a sort of memorial record for him; all of the tracks featured were either written by him, or feature a bass solo performed by him as the centerpiece of the track. On this Wikipedia the language links are at the top of the page across from the article title. What happened to your brother after Ithaca College? Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. She proposed the demo as something to shop around to record labels; alas, nothing came of it. 2023 Smith Center for the Arts, All rights reserved. Those six numbers with LaFaro making up what became the Booker Little album are a masterclass in postbop bass. A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time. We never got to enjoy it as a concert venue in our day, unfortunately. That is what so many families Sunday ritual were like. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. https://www.youtube.com/watch?v=PNqSL3xGW70, The Evans Trios appearance at the Village Vanguard opposite Lambert, Hendricks & Ross in June 1961 culminated with the legendary recordings made on the last day of the two-week engagement, Sunday, June 25. Many believe that Evans never fully recovered from the loss, as well as that it contributed to his pattern of heroin usage, an addiction that would later kill him. He heard what I was doing at the piano, and I heard what he was doing. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. This article is about the 1961 Village Vanguard recordings. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. Scott Yanow, All-Music Guide Scott LaFaro's life and career were cut short in July of 1961. Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. There was great rapport. 1950s - 1960s. He worked from sheet music for the clarinet, with its much higher pitch, to improve his command of the bass upper register. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. Tracks. Expansive range was a totem of the LaFaro sound, the idea that the bass was so much a bass that it was also not a bass and more than a bass. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. I was 19 and working. Tonight Show, 14 Feb 1957. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. In his liner notes, producer Orrin Keepnews focused on the phenomenon of Bill Evans thepianist, but the lone paragraph devoted to the other members of the trio noted that they werent limited toconventional rhythmic backing, and cited Autumn Leaves, as a harbinger of things to come. We also spent time at the First Presbyterian Church choir. Rocco Scott LaFaro, in a career that lasted only six years, developed skills on the upright bass that few have been able to match. Jim Hall. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. Jazz. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. . Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York, [5] on U.S. Route 20 between Geneva and Canandaigua, [9] four days after accompanying Stan Getz at the Newport Jazz Festival. LaFaro completed his first year at Ithaca, but not his second. We never got to enjoy it as a concert venue in our day, unfortunately. He was visiting some friends west of Geneva and was driving home late when he crashed. Everything. While driving home late one night his car went off the road and struck a tree. Security video shows a crash in the Reseda neighborhood of Los Angeles which left a driver dead. You can email the site owner to let them know you were blocked. One of the most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. Pianist Prez was then a professor at the New England Conservatory; his student, Read More Explaining the Taubman Approach, Everyone knows that Joe Williams sang the hell out of the blues, but do you know what else he sang the hell out of? At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. Scott died instantly and the world lost a talented andinnovative musical voice. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. It is still so wild to me that he was so influential. Grit is not a LaFaro staple, but that does not mean texture isnt. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. They spent so much time discussing music, listening to records, at the piano, they were inseparable. He remembered that Scotty was dressed up for the Newport appearance. He waited until we got interested, and then he was totally supportive. Other birthdays Monday: Jimmy McGriff, 64; Harold Vick, 19361987; and Eric Kloss, 51. After Scotty played at the Newport Jazz Festival with Stan Getz (July 1961), he went to Geneva to try to convince the people who had been renting our house to buy it. Celebrating the life of Genevas legendary jazz bass hero Scott LaFaro has become an annual event at the Smith Opera House, ever since the City of Geneva declared April 3, his birthday, as Scott LaFaro Day in 2014. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. The great bassist is best known for his work with the Bill Evans Trio between 1959 and '61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trio's . Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. The last day was recorded for two albums, Sunday at the Village Vanguard and Waltz for Debby.[8]. Evans stopped performing for several months. The all-timer live session that produced the aforementioned discs is rounded out by two studio LPs, Portrait in Jazz (1960) and Explorations (1961), which I sense are not listened to as much as they ought to be, but the Vanguard date is sufficiently lambent that it pulls us to it, which is good on one handthis is one sweet, invigorating flameand less than ideal on the other, because Scott LaFaro (who, along with Jimmy Blanton, Id posit as jazzs most important bassist) was a lot more, and did a lot more, than the prevailing narrative would have us believe. Here is a verbal snapshot of that conversation, edited for clarity. Scott Yanow, All-Music GuideScott LaFaros life and career were cut short in July of 1961. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. In high school Scotty played clarinet and tenor saxophone, in spite of not being happy about a lip injury he got playing basketball at the Y. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. That left air and spaceand timewhich could do with some filling, some shaping. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. Composer: Gillespie All that listening to the trio had another effect on me. He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. Victor Feldman. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. [7], In June 1961, the Bill Evans trio began two weeks of performances at the Village Vanguard in New York City. "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. It will be observed on his birthday anniversary, April 3. As was, really, LaFaro. The important thing is his art while he lived. Mr. Berg, whose career encompassed free jazz, soul jazz, jazz rock, and straight-ahead playing, was driving east on Route 27 with his wife when ", https://www.youtube.com/watch?v=IIzbINNrqcQ. Find him on the web at colinfleminglit.com (where he maintains the unique online journal, the Many Moments Moreblog) and on Twitter @colinfleminglit. In LaFaros short yet meteoric career, he accomplished more than most musicians do over decades. What were Scotts childhood and teen years like here in Geneva? Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org He got his first professional experience playing bass at Belhurst (with my fathers group). Search Music. It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. Scottys death was hard on my Mom. Kuhn is uncertain about exactly where he met LaFaro, but says it was most likely when he heard the Evans trio at the Five Spot late in 1959. You can read our interview with Holland. LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. Chops: What Bassists Listen for in Drummers, The 10 Best Jazz Albums of the 1950s: Critics Picks, Year in Review: The Top 40 Jazz Albums of 2022, Year in Review: The Top 10 Historical Albums of 2022, Chops: What Bassists Listen for in Drummers. He would have played twenty-four hours a day if he couldHe was learning a mile a minute., Morrows outfit had a big hit with Night Train. The bandleader told Helene, We were a band which was dedicated at the time to mainly rhythm and blues. Paul Motian was on drums, Nobby Totah on bass. LaFaro continued to play this bass until his death. Orrin Keepnews told Helene that when the trio recorded its second session,Explorations,on February 2, 1961, Scott was being very explicit about his problem; he was very reluctant to go back on the road unless it was for a lot more money. Youll have to adjust your ears, but theyll fall into line quickly. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. Scott was extremely picky and choosy, and he wanted to call the trio. Scott LaFaro - Death. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. Joining Palombi on this date are Don Friedman and Eliot Zigmund. When Scotty was killed at age 25 (I was 24), I was devastated I couldn't play for months. Evans also went on hiatus after LaFaro's death for a period of several months. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Former Major League Baseball pitcher Scott Erickson has been charged in connection with a hit-and-run crash in Westlake Village that killed two . We would explore all around our neighborhood on West Street our house was where the elementary school is. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. LaFaro is best known as the bassist in Bill Evans' groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra. Composer: LaFaro LaFaro left Morrow and settled in Los Angeles in 1957. The CD reissue of the album contains several outtakes. Before that grim July night, LaFaro had been a busy bassist. He recorded with pianist Don Friedman as well. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. Stan Levey. There is a grave mistake a prospective listener can make with LaFaro, and when I say what that is, I may come off as somewhat risible, but one must do what is right: loving the Village Vanguard recordings so much that you sleep on the rest of what he achieved as a certain kind of jazz genius. Died . Also, the exertion of a formidable musical will to take what was there, in an act of guidance. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. Gloria Gabriel was one of the dancers. The entire day's recordings were released in 2005 as The Complete Village Vanguard Recordings, 1961. Pictures of people only please! Scotty sat in. Composer: Urso Hes just so damn elegant. HOMETOWN Newark, NJ, United States of America BORN April 3, 1936 Similar Artists Paul Motian. Cool Modal Music Post-Bop. 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